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Connect to Tidal Masters and check the option to stream MQA. Listen to Master Quality Authenticated audio straight out of the box. Hi-Res True Native® playback of all music formats from MP3 to DSD256, PCM384 and DXD384.
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Our experience with this IC means we know how to make the most of it. This means you are listening to music as the artist intended in the format in which it was recorded.Īt iFi we use Burr Brown extensively in our products having selected it for its natural-sounding ‘musicality’ and True Native architecture. The Burr-Brown True Native® chipset means file formats remain unchanged or ‘bit-perfect’. Always make sure you switch it on first and then plug in your device. This unit has up to 10 hours of non-stop playing time. We pushed the envelope even further by doing this not only with the nano iDSD BL‘s USB input, but the rest of the digital interfaces as well. Is it essential to have a very precisely buffered digital signal before it goes to a DAC.
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Its transparent sonic nature delivers a smooth sound with no loss in music retrieval. This precise, analogue volume control is normally found on items at a much higher price point.
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There is no going wrong with 10 hours of battery life. We say just switch it on, plug in your device, and listen away. The benefits are ‘clearly’ audible.įancy getting technical? The nano BL has a Listen option (Minimum Phase Bezier Filter) and a Measure option (Linear Phase Transient-Aligned Filter) for those who like to try a variation to the playback. Bibb’s guitar was both detailed and informative.The iFi exclusive S-Balanced circuit provides all the benefits of balanced outputs such as low-noise and less distortion when used with headphones and IEMs fitted with balanced wiring.įor single-ended headphones, S-Balanced cuts crosstalk in half. Despite a very slight sense of waywardness and a lack of precision at the very edges of the upper midrange (it was too subtle to be a major issue), the low noise approach allowed their voices to emerge from a clean silence that gave the track a dynamic breadth that added life and excitement to the soundstage. Turning to Eric Bibb’s blues fest at Meeting at the Building, played at DSD128, the nano’s low noise configuration helped to give Bibb and his choral background a sense of air and space. That is, a lack of insight and engagement. The midrange elements of the guitar were also lively, offering a welcome clarity while the vocal was emotive Through some of the nano’s contemporaries, you sometimes hear a little too much ‘dryness’. The bass strings of the guitar were both distinct and responsive. Music in this resolution ballpark can be too much for some DACs which struggle to receive and process bass properly. Turning to the same track but, this time, at DSD64 resolution, I was impressed by the control over the bottom end. That is, the music always attracted the ear. Similarly, midrange duties from the guitar and the vocal had a richness and insight that gave the overall track a depth that spoke of maturity as well as a light and shade. Lower frequencies from similar units at this price point can be rather lazy but the nano had bass string effects jumping and gambling along with energy and a lightness of touch. This is a simple presentation of voice and closely mic’d acoustic guitar.īass was strong via the nano, both in terms of weight but also there was real momentum.
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I moved from the phone to my SSD-powered MacBook Pro and played a 24bit/88.2kHz WAV of singer-songwriter, David Elias’ song, Vision of Her via the Audirvana Plus software player. Of course, the initial source track had very little information to speak of so it was all the more remarkable that the nano could make any sense of it. Instrumental separation gave the guitar time and space of perform while the lead vocal had a real sense of presence that allowed Gaye to offer emotion on this passionate track. This meant that the reverb from the secondary percussion had genuine ambience while the bass guitar had a both heft and character. That is, it applied admirable focus and precision as well as a toolbox of low noise applications that gave this track excellent imagery in the structured soundstage. Playing an MP3 version of Marvin Gaye’s Mercy Mercy Me, I was impressed by how the nano approached the potential disaster that was this MP3 file. If you intend to utilise the iFi in this mode then add £29 to the cost of this DAC and look HER E to buy one.
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Instead, the company recommends buying yourself a Camera adapter. I initially wanted to test a basic MP3 file played on my iPhone 6S but iFi do not supply a Lightning compatible cable.